Final Movie 'Emerge'

Final Screenshots of Model

Final Screenshots

Screenshots of Flowgraphs

Since I took so long learning how to use the flowgraph editor in CryEngine I decided to take some screenshots as an example of the complexity of the movements. These Flowgraphs control the states and movements of the various entities and cameras in my model.

CryEngine Development

Learnt about voxel objects to construct a cave form beneath my model

A screenshot showing the placement of my spawn point above the cave mouth (Later shifted inside the cave)

The 'snowflake' entity had movements applied, rising out of the water inside the cave.

These entities move at different times, building tension for a collaborative effect

I also looked at constructing a wharf model in SketchUp for the character to stand on at the beginning of the segment, but abandoned it after deciding it would detract from the main model and the abstract nature of the space.

After learning more about tagpoints in CryEngine I shifted the movement to the tagpoint and linked the entity to this, so that I had more control over where a movement originated, for example so that the entity spins from the center rather than an automatically generated external pivot point.

I deleted my original model and instead reconstructed it from individual 'beams' made in SketchUp, so that each entity could move individually.

After piling up layers of 'beam' entities I created 96 tagpoints, one for each 'beam', and placed them at the middle point of each 'beam'. Grouping the tagpoints in fours made a group for each layer of the structure (a layer as seen in the image prior to this one), and I then expanded the group from the centre to set a location for each 'beam' to move towards as the structure disintegrates.

After ungrouping the tagpoints I put together the flowgraphs for each beam to move towards one tagpoint.

With the majority of the flowgraphs written I started to add details to my landscape, leaving the area around my model bare to preserve its importance within the space.

With the water temporarily removed the number of 'snowflake' entities is clearer. Also seen are the rocks I placed throughout the cave, working in conjunction with the rock texture applied to the cave voxel object.

100 word intention statement:

With my model now imported successfully I have confidence that I will be able to manipulate textures and animations effectively. My intention is to highlight the design principle that inspired this design; proportion and composition. The proportion of the 'snowflake' entities is a lot smaller than the main model, so I will begin by revealing these, then follow one as it raises out of the cave and through the 'tower'. There will be a contrast in the scale of the two which will hopefully make the 'tower' seem bigger and more impressive. Also, I plan to have the separate 'beams' forming the 'tower' all move apart, to demonstrate the collaborative composition.

Repeated Movement Flowgraph Guide

Okay I've put together a flowchart guide to show how I made my entities move back and forward repeatedly, with an ease so it isn't a jerky movement. I also included the part which make them spin.

Flowgraph Development

Just a few shots of how I developed my flowgraph.

I started with a simple thread which made the entity move in one direction

Next I managed to make the entity make another movement following the first- but there were still a lot of bugs.

After discovering the 'float' node I learnt how to construct an ease for the movement at the start so that the movement wasn't jerky.

This was my final flowgraph, making the entity move up, ease, move down, ease, then repeat an eased vertical movement continuously.